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Midnight Madness at the Toronto International Film Festival usually attracts some pretty legendary names in genre filmmaking, and this year it is the legendary screenwriter Kevin Williamson. His film,Sick, is a return-to-form, a horror-thriller that feels familiar but not in a way that causes frustration.
The film follows two best friends who decide to quarantine together in their remote family lake house, only to discover that they might not be alone. The film is interesting because it uses a lot of slasher tropes, but it doesn’t have a large amount of kills, turning it into a combination of slasher, home invasion horror, and survival thriller.
The film has a very small cast due to the nature of the story, which does present a bit of a challenge. Whereas the latter worked because of its ensemble of memorable characters to become a victim (or a suspect), this one attempts a much more intimate vibe to mixed results. The actors are all fine, but no one is good enough to carry the film.
Horror fans likely know Willaimson’s name as the scribe behind the ‘90s horror masterpieceScream. With his newest film, his first feature in nearly two decades after a successful career in television, he leans into the legacy he has created. In a way, this film could almost be described as a “COVIDScream,” with several beats that will feel familiar to audiences.
Also Read:V/H/S/99 TIFF Review: A Mostly Mediocre Horror Anthology
Granted, given the fact that the film plays out in a somewhat trodden way, it ends up feeling rather predictable. The twist isn’t super effective and is hardly as insightful or edgy as it seems to think it is. Still, there’s something to be said about the comfort of a well-crafted, familiar horror film, and this film offers the type of lean thrills that the genre so desperately needs.
COVID also makes for a perfect setting for a horror film. The most effective horror films create a sense of isolation, so setting a film during the COVID pandemic is a perfect excuse to create this forced seclusion. Yet unlike so many other pieces of COVID media, this film does not feel like it was made in bad taste, becoming more of a release of our pandemic-related anxieties than an exploitation of them.
Regardless, what the film lacks in memorable characters, it makes up for in genuinely great horror scenes. The film is directed by John Hyams, a filmmaker primarily known for his work in the action genre, and he brings his penchant for adrenaline-fueled action here, with some setpieces that are among the best you’ll see in any horror movie this year.
Horror fans will be satisfied with Sick, a good, old-school horror flick. It doesn’t break any new cinematic ground, but it takes advantage of its COVID setting enough to deliver some solid scares and an all-around entertaining genre picture.7/10.
Sickscreened at the 2022 Toronto International Film Festival, which ran September 8-18.
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Sean Boelman
Managing Editor for Film and TV
Articles Published :441
Sean is the Managing Editor for Film and Television, working to determine editorial strategy for the critics team. He has been on the FandomWire team since 2022.In addition to writing reviews himself, Sean helps match writers on the FandomWire team with assignments that best fit their interests and expertise.
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covid-19Kevin WilliamsonScreamsickTIFFToronto International Film Festival
